Frank Capra | |
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Frank Capra cuts army film as a Signal Corps Reserve major during World War II. |
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Born | Francesco Rosario Capra May 18, 1897 Bisacquino, Sicily, Italy |
Died | September 3, 1991 La Quinta, California, U.S. |
(aged 94)
Occupation | Director, producer, writer |
Years active | 1922–1961 |
Spouse | Helen Howell (1923-1927) Lou Capra (1932-1984); 4 children |
Frank Russell Capra (May 18, 1897 – September 3, 1991) was a Sicilian-born American film director and a creative force behind a number of films of the 1930s and 1940s, including It Happened One Night (1934), Mr. Deeds Goes to Town (1936), Lost Horizon (1937), You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), Arsenic and Old Lace (1944) and It's a Wonderful Life (1946).
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Born as Frank Rosario Capra (some sources indicate Francesco Rosario Capra) in Bisacquino, Sicily, he immigrated to the United States in 1903 with his parents, Turiddu Capra (later known as "Salvatore") and Rosaria (later known as "Sarah"; née Nicolosi) and his siblings Giuseppa, Giuseppe, and Antonia.
In California the family met with Benedetto Capra (the oldest sibling, known as "Benjamin") and settled in Los Angeles. Frank Capra attended Manual Arts High School there. In 1918, he graduated from Throop Institute (now the California Institute of Technology) with a Bachelor of Science degree in chemical engineering.
During World War I, Capra enlisted in the United States Army on October 18, 1918. He taught ballistics and mathematics to artillerymen at Fort Winfield Scott in the Presidio of San Francisco. While there, he caught Spanish flu and was medically discharged with the rank of second lieutenant on December 13, 1918. He became a naturalized U.S. citizen in 1920 as Frank Russell Capra.
Capra began as a prop man in silent films.[1] However, Capra's first exposure to films occurred in 1915 while he was attending Manual Arts High School. At Manual Arts, Capra's teacher, Rob Wagner, directed Our Wonderful Schools, a documentary on the Los Angeles Unified School District. Capra worked on the film as an editor. The film was produced by Reliance Film Company and released by Mutual Film. The film won a medal at the 1915 Panama-Pacific International Exposition fair in San Francisco. Later, Capra wrote and directed silent film comedies starring Harry Langdon and the Our Gang kids. Capra went to work for Mack Sennett in 1924 and then moved to Columbia Pictures, where he became the top director at the small studio, and eventually one of the most honored directors in Hollywood. During his years there he also formed a close association with screenwriter Robert Riskin (husband of Fay Wray) and cameraman Joseph Walker.
For the 1934 film It Happened One Night, Robert Montgomery and Myrna Loy were originally offered the roles, but each felt that the script was poor, and Loy described it as one of the worst she had ever read, later noting that the final version bore little resemblance to the script she and Montgomery were offered.[2] After Loy, Miriam Hopkins and Margaret Sullavan also each rejected the part.[3] Constance Bennett wanted to, but only if she could produce it herself. Then Bette Davis wanted the role,[4] but she was under contract with Warner Brothers and Jack Warner refused to loan her to Columbia Studios.[5] Capra was unable to get any of the actresses he wanted for the part of Ellie Andrews, partly because no self-respecting star would make a film with only two costumes.[6] Harry Cohn suggested Claudette Colbert to play the lead role. Both Capra and Clark Gable enjoyed making the movie; Colbert did not. After the 1934 film It Happened One Night, Capra directed a steady stream of films for Columbia Pictures, intended to be inspirational and humanitarian.
The best known of Capra's films are Mr. Deeds Goes to Town, the original Lost Horizon, You Can't Take It with You, Mr. Smith Goes to Washington, and It's a Wonderful Life. His ten-year break from screwball comedy ended with the comedy Arsenic and Old Lace. Among the actors who owed much of their early success to Capra were Gary Cooper, Jean Arthur, James Stewart, Barbara Stanwyck, Cary Grant and Donna Reed. Capra called Jean Arthur "[his] favorite actress".
Capra's films in the 1930s enjoyed success at the Academy Awards. It Happened One Night was the first film to win all five top Oscars (Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay). In 1936, Capra won his second Best Director Oscar for Mr. Deeds Goes to Town; in 1938 he won his third Director Oscar in five years for You Can't Take It with You, which also won Best Picture. In addition to his three directing wins, Capra received directing nominations for three other films (Lady for a Day, Mr. Smith Goes to Washington, and It's a Wonderful Life). On May 5, 1936, Capra was also host of the 8th Academy Awards ceremony.
Frank Capra was commissioned as a major in the United States Army Signal Corps during World War II. He produced State of the Union and directed or co-directed eight documentary propaganda films between 1942 and 1948, including the seven-episode U.S. government-commissioned Why We Fight series—consisting of Prelude to War (1942), The Nazis Strike (1942), The Battle of Britain (1943), Divide and Conquer (1943), Know Your Enemy: Japan (1945), Tunisian Victory (1945), and Two Down and One to Go (1945)—as well as produced the African-American targeted The Negro Soldier (1944). Why We Fight is widely considered a masterpiece of propaganda and won an Academy Award. Prelude to War won the 1942 Academy Award for Documentary Feature. Capra regarded these films as his most important works. As a colonel, he received the Distinguished Service Medal in 1945.
It's a Wonderful Life (1946) was considered a box office disappointment but it was nominated for the Academy Awards for Best Director, Best Picture, Best Actor, Best Sound Recording and Best Editing. The American Film Institute named it one of the best films ever made, putting it at the top of the list of AFI's 100 Years... 100 Cheers, a list of what AFI considers to be the most inspirational American movies of all time. The film also appeared in another AFI Top 100 list: it placed at 11th on AFI's 100 Years... 100 Movies list of the top American films.
Capra directed two films at Paramount Pictures starring Bing Crosby, Riding High (1950) and Here Comes the Groom (1951). It was eight years before he directed another theatrical film, A Hole in the Head with Frank Sinatra, which was his first feature film in color.
Capra's final theatrical film was with Glenn Ford and Bette Davis, named Pocketful of Miracles (1961), a remake of his 1933 film Lady for a Day. In the mid-1960s he worked on pre-production for an adaptation of Martin Caidan's novel Marooned but budgetary constraints made him eventually shelve it.[7] Capra produced several science-related television specials in color for the Bell Labs, such as Our Mr. Sun (1956), Hemo the Magnificent (1957), The Strange Case of the Cosmic Rays (1957), and Meteora: The Unchained Goddess (1958). These educational science documentaries were popular favorites for showing in school science classrooms.
In 1982, the American Film Institute honored Frank Capra with the television film The American Film Institute Salute to Frank Capra, hosted by James Stewart. In 1986, Capra received the National Medal of Arts.
In 1971, Capra published his autobiography, The Name Above the Title.[8] Upon the book's publication, Capra became a popular guest speaker on the college lecture circuit. Capra was also the subject of a 1991 biography by Joseph McBride, Frank Capra: The Catastrophe of Success.
Capra was a Republican who was active in the anti-Communist cause and also donated funds to the Human Life Amendment PAC.[9]
His son Frank Capra, Jr. — one of the four children born to Capra's second wife, Lucille Capra — was the president of EUE Screen Gems Studios, in Wilmington, North Carolina, until his death on December 19, 2007. His grandson, Frank Capra III, is a Hollywood director and worked as an assistant director in the 1995 film "The American President", a brief referral to Frank Capra is made in the dialogue of that film.
Frank Capra died in La Quinta, California, of a heart attack in his sleep in 1991 at the age of 94. He was interred in the Coachella Valley Public Cemetery in Coachella, California.
He left part of his 1,100-acre (4 km2) ranch in Fallbrook, California, to Caltech.[10] Capra's personal papers and some of his film related materials are contained in the Wesleyan University Cinema Archives; which allows scholars and media experts from around the world to have full access.[11]
Capra films usually carry a definite message about the basic goodness of human nature and show the value of unselfishness and hard work. His wholesome, feel-good themes have led some to term his style Capra-corn, but those who hold his vision in high regard prefer the term Capraesque.
Capra's basic themes of championing the common man, as well as his use of spontaneous, fast-paced dialogue and goofy, memorable lead and supporting characters, made him one of the most popular and respected filmmakers of the 20th century. His influence can be traced in the works of many directors, including Robert Altman [12], Ron Howard [12], Masaki Kobayashi [13], Akira Kurosawa [14], John Lasseter [15], David Lynch [16] John Milius [12], Martin Scorsese [12], Steven Spielberg [17], Oliver Stone [12] and Francois Truffaut [18]
Capra won a total of six Academy Awards. He was nominated six times for Best Director and six times for Outstanding Production/Best Picture. Out of six nominations for Best Director, Capra received the award three times. He briefly held the record for winning the most Best Director Oscars when he won for the third time in 1938, until this record was matched by John Ford in 1941, and then later surpassed by Ford in 1952. William Wyler also matched this record upon winning his third Oscar in 1959. With three directing Oscars each, Capra and Wyler have received the second highest number of directing awards in Oscar history, behind Ford's four.
Year | Film | Award | Winner |
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1933 | Lady for a Day | Best Director | Frank Lloyd - Cavalcade |
Outstanding Production | Winfield Sheehan - Cavalcade | ||
1934 | It Happened One Night | Best Director | ![]() |
Outstanding Production | ![]() |
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1936 | Mr. Deeds Goes to Town | Best Director | ![]() |
Outstanding Production | Hunt Stromberg - The Great Ziegfeld | ||
1937 | Lost Horizon | Outstanding Production | Henry Blanke - The Life of Emile Zola |
1938 | You Can't Take It With You | Best Director | ![]() |
Outstanding Production | ![]() |
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1939 | Mr. Smith Goes to Washington | Best Director | Victor Fleming - Gone with the Wind |
Outstanding Production | David O. Selznick - Gone with the Wind | ||
1943 | Prelude to War | Best Documentary | ![]() |
1944 | The Battle of Russia | Best Documentary, Features | Desert Victory |
1946 | It's a Wonderful Life | Best Director | William Wyler - The Best Years of Our Lives |
Best Motion Picture | Samuel Goldwyn - The Best Years of Our Lives |
Year | Title | Production Co. | Cast | Notes | |||
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Silent films | |||||||
1915 | Our Wonderful Schools | Reliance Film Company | Documentary; film editor | ||||
1922 | Fultah Fisher's Boarding House | Fireside Productions | Short film | ||||
1926 | The Strong Man | Harry Langdon Corporation | Harry Langdon | ||||
1927 | Long Pants | Harry Langdon Corporation | Harry Langdon | ||||
1927 | For the Love of Mike | Robert Kane Productions | Claudette Colbert / Ben Lyon | ||||
1928 | That Certain Thing | Columbia | Viola Dana | ||||
1928 | So This is Love? | Columbia | Shirley Mason | ||||
1928 | The Matinee Idol | Columbia | Bessie Love / Johnny Walker | ||||
1928 | The Way of the Strong | Columbia | Mitchell Lewis / Alice Day / William Norton Bailey | ||||
1928 | Say It with Sables | Columbia | Helene Chadwick / Francis X. Bushman / Margaret Livingston | ||||
1928 | Submarine | Columbia | Jack Holt / Ralph Graves / Dorothy Revier | ||||
1928 | The Power of the Press | Columbia | Douglas Fairbanks Jr. | ||||
1928 | The Burglar | Mack Sennett | Short film / Co-directed with Phil Whitman | ||||
Sound films | |||||||
1929 | The Younger Generation | Columbia | Ricardo Cortez | Talking sequences | |||
1929 | The Donovan Affair | Columbia | Jack Holt | ||||
1929 | Flight | Columbia | Jack Holt / Ralph Graves | ||||
1930 | Ladies of Leisure | Columbia | Barbara Stanwyck / Ralph Graves | ||||
1930 | Rain or Shine | Columbia | Joe Cook | ||||
1931 | Dirigible | Columbia | Jack Holt / Ralph Graves / Fay Wray | ||||
1931 | The Miracle Woman | Columbia | Barbara Stanwyck | ||||
1931 | Platinum Blonde | Columbia | Loretta Young / Robert Williams / Jean Harlow | ||||
1932 | Forbidden | Columbia | Barbara Stanwyck / Adolphe Menjou | ||||
1932 | American Madness | Columbia | Walter Huston | Co-directed with Allan Dwan / Roy William Neill | |||
1933 | The Bitter Tea of General Yen | Columbia | Barbara Stanwyck / Nils Asther | ||||
1933 | Lady for a Day | Columbia | May Robson / Warren William / Guy Kibbee | ||||
1934 | It Happened One Night | Columbia | Clark Gable / Claudette Colbert | ||||
1934 | Broadway Bill | Columbia | Warner Baxter / Myrna Loy | ||||
1936 | Mr. Deeds Goes to Town | Columbia | Gary Cooper / Jean Arthur | ||||
1937 | Lost Horizon | Columbia | Ronald Colman / Jane Wyatt | ||||
1938 | You Can't Take It with You | Columbia | Lionel Barrymore / Jean Arthur / James Stewart | ||||
1939 | Mr. Smith Goes to Washington | Columbia | James Stewart / Jean Arthur | ||||
1941 | Meet John Doe | Frank Capra Productions | Gary Cooper / Barbara Stanwyck | ||||
1943 | The Nazis Strike | U.S. War Department | Documentary / Short film / Co-directed with Anatole Litvak | ||||
1943 | Divide and Conquer | U.S. War Department | Documentary / Co-directed with Anatole Litvak | ||||
1943 | The Battle of Britain | Warner Bros. | Documentary / Co-directed with Anthony Veiller | ||||
1943 | Prelude to War | U.S. War Department | Documentary / Co-directed with Anatole Litvak | ||||
1943 | The Battle of Russia | U.S. War Department | Documentary / Co-directed with Anatole Litvak | ||||
1944 | The Battle of China | U.S. War Department | Documentary / Co-directed with Anatole Litvak | ||||
1944 | Tunisian Victory | U.S. War Department | Documentary / Co-directed with Hugh Stewart | ||||
1944 | Arsenic and Old Lace | Warner Bros. | Cary Grant / Priscilla Lane | ||||
1945 | Your Job in Germany | Documentary / Short film | |||||
1945 | Know Your Enemy: Japan | U.S. War Department | Documentary / Co-directed with Joris Ivens | ||||
1945 | Two Down and One to Go | U.S. War Department | Documentary / Short film | ||||
1945 | War Comes to America | U.S. War Department | Documentary / Co-directed with Anatole Litvak | ||||
1946 | It's a Wonderful Life | Liberty Films | James Stewart / Donna Reed | ||||
1948 | State of the Union | Liberty Films | Spencer Tracy / Katharine Hepburn | ||||
1950 | Riding High | Paramount Pictures | Bing Crosby | Remake of Broadway Bill | |||
1951 | Here Comes the Groom | Paramount Pictures | Bing Crosby / Jane Wyman | ||||
1959 | A Hole in the Head | Sincap Productions | Frank Sinatra / Edward G. Robinson | First color film | |||
1961 | Pocketful of Miracles | Franton Production | Glenn Ford / Hope Lange / Bette Davis | Eastmancolor film / Remake of Lady for a Day |
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